Il Casanova di Federico Fellini (Federico Fellini, 1976)

Invasion of the Body Snatchers (Philip Kaufman, 1978)

Don't Look Now (Nicolas Roeg, 1973)

JFK (Oliver Stone, 1991)

The Hunger Games: Mockingjay – Part 2 (Francis Lawrence, 2015)

Eye of the Needle (Richard Marquand, 1981)

Klute (Alan J. Pakula, 1971)

M*A*S*H (Robert Altman, 1970)

Revolution (Hugh Hudson, 1985)

Start the Revolution Without Me (Bud Yorkin, 1970)

The Day of the Locust (John Schlesinger, 1975)

Space Cowboys (Clint Eastwood, 2000)

Backdraft (Ron Howard, 1991)

Johnny Got His Gun (Dalton Trumbo, 1971)

Ordinary People (Robert Redford, 1980)

Novecento (Bernardo Bertolucci, 1976)

Jean-Claude Carrière (1931 – 2021) foi um dos mais impressionantes argumentistas do nosso tempo, e não há adjetivos que chegue para representar a sua genialidade e, mais que isso, hiperatividade. Digamos que a sua carreira fala por si.

Birth (Jonathan Glazer, 2004)

L'ombre des femmes / In the Shadow of Women (Philippe Garrel, 2015)

Le Charme Discret de la Bourgeoisie / The Discreet Charm of the Bourgeoisie (Luis Buñuel, 1972)

Cyrano de Bergerac (Jean-Paul Rappeneau, 1990)

The Tin Drum (Volker Schlöndorff, 1979)

The Unbearable Lightness of Being (Philip Kaufman, 1988)

Possession (Andrzej Zulawski, 1981)

Passion (Jean-Luc Godard, 1982)

Antonieta (Carlos Saura, 1982)

Valmont (Milos Forman, 1989)

Milou en Mai / Milou in May (Louis Malle, 1990)